The problem with a lot of drama is it stops when it is about to get interesting. So in Tristan and Isolde after deflowering the queen and betraying the country the rogue dies. It would be far more interesting if the character had stayed alive and there had been complex and emotional stories of power and state to resolve.
In the latest Criminal Minds the hero spy turned FBI agent could have to deal with the problematic issues of lying to her colleagues and the aftermath of the revelations about her past but no. The character is lost and we lose a potential area of plot.
In future scriptwriters please take the more complex path.
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